As in Steven Soderbergh’s much-loved Ocean’s Eleven, Gary Ross’ Ocean’s 8 begins at a parole hearing for our protagonist. She’s making nice and saying all the right things, arguing for a rehabilitation we genre fans know hasn’t occurred.
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Arriving to overblown fanfare and unreasonable expectations, Ava DuVernay‘s A Wrinkle In Time was never going to live up to the hype.
It was bad enough that box office watchers openly wondered how A Wrinkle In Time would compete with Black Panther, a money-printing machine of historic, multi-hyphenate proportions.