As I catch up on movies from the last year that I missed in theaters, it’s increasingly clear that all the laments about 2014 being a bad one for film are total nonsense.
The list of excellent movies, or at least the one I’m working on, keeps growing: leaving aside the quiet awards juggernaut of Boyhood (all deserved), that list already includes the tense revelations of Blue Ruin and Calvary, James Gray’s monumental The Immigrant, Paul Thomas Anderson’s Pynchon-noir Inherent Vice … not to mention Ida, Under The Skin, Wetlands, Obvious Child, Noah, and We Are The Best!
