The Wild Boys, Bertrand Mandico’s feverish and gleefully overstuffed debut feature, is many things at once, and not all of those things make immediate sense together. It’s a highly theatrical coming-of-age story set on the high seas, featuring boys played by women becoming men who become women.
Hearing Guy Maddin narrate My Winnipeg last week was important to me.
I remember trying to watch The Saddest Music in the World early in high school, when I was digging up anything people on movie forums described as “weird,” but lacked any of the cultural touchstones to understand what I was seeing.
Susan Oxtoby knows film.
Over the course of her career, the current Senior Film Curator at the Berkeley Art Museum and Pacific Film Archive (Bam/PFA) has programmed countless series and retrospectives, introducing audiences to under-seen, rarely-screened masterpieces from throughout the world and across cinema history.