I will say, “Mandy feels like the last movie I will ever be disappointed by.” And you will say, “That’s ridiculous. We will all go on getting our hopes up and sometimes be disappointed on a scale from rarely to usually, depending on the tightness of your clenched asshole.”
Since its founding in 1984, the aptly-named Oddball Films has constituted one of the stranger spaces in the cinema world. An archive as interested in orphan home video, Italian psychedelic cartoons from the 60s, and instructional bumpers about hygiene intended for American classrooms as any neorealist classic or lost masterpiece, it was the brainchild of Stephen Parr, who passed away on October 24th.