The month’s half-over, but there’s plenty of time left for October horror. (Or so I reassure myself, as I watch my horror friends’ lists spiral into the dozens, as they report back from 24-hour scare-a-thons, and generally act like a bunch of goddamn lunatics with weird time-management skills and no regular jobs!More
He’s a classic, essential horror movie stereotype. He has hung around for centuries, but he really came into his own once movies about hauntings turned “scientific”: The Haunting or The Stone Tape, for example. He’s the scientist who wants to empirically study demonic/ghostly activity, and he’s one of my favorite character types in the classic era.More
At one point in Synecdoche, New York, the Charlie Kaufman-stand-in Caden is giving his actor — a twenty-something man playing the role of Willy Loman — a note in his production of Death of a Salesman. “Try to keep in mind that a young person playing Willy Loman thinks he’s only pretending to be at the end of a life full of despair.More
No one told me about Yılmaz Güney, and I find this extremely rude.
Sure, I could’ve discovered one of the most famous figures of Turkish cinema on my own. It probably wouldn’t have been too difficult to uncover “the most seismic and controversial cultural figure of his generation and a catalyst for a new era of politically engaged filmmaking,” in Bilge Ebiri’s description, a writer and director who “remains an icon in Turkey to this day, his face gracing posters in coffeehouses and theaters, his name regularly invoked by contemporary filmmakers.” But would it have killed you to bring him up, given that he’s apparently the most interesting person in the world?More
I will say, “Mandy feels like the last movie I will ever be disappointed by.” And you will say, “That’s ridiculous. We will all go on getting our hopes up and sometimes be disappointed on a scale from rarely to usually, depending on the tightness of your clenched asshole.”
And you’d be right, of course.More
There is another Deadpool movie in the world now.
It may have a new director — David Leitch, co-director of John Wick and director of Atomic Blonde (and, uh, Terry Bogard in the King of Fighters movie) — but the tone is exactly the same as the first one: an emulsion of an achingly sincere story about revenge and family suspended in a hyperviolent, nihilistic action-comedy.More
Paul Schrader’s bracing, bruising First Reformed is the filmmaker’s most urgent offering in years, and one of 2018’s best. A warped retelling of Bresson’s Diary of a Country Priest filtered through Schrader’s trademark fixations, First Reformed focuses on something curiously absent from contemporary stories, even as it animates many moments of our public and private lives: despair at climate change, and almost paralyzing anxiety over the world we leave behind.More
When bulldozers accidentally hit upon a cache of film reels in the cold ground of Dawson City, deep in the Yukon Territory, it was compared to the discovery of King Tut’s tomb.
Hyperbolic? Maybe. But the find — 533 films “dating from the 1910s and 20s [and mostly] previously unknown to film scholars or thought to be totally lost” — really was something of a miracle.More