With a quiet grace, and the kind of childlike innocence in its narration that lays bare the adult melancholy all around, Shin Sang-ok‘s My Mother and Her Guest (1961) sneaks up on you. It’s a far cry from the violent, Occupation-era love triangle of his A Flower In Hell (a previous Counter-Programming entry released just 3 years prior), though both star Choi Eun-hee.
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