Christine McPherson (Saoirse Ronan) — the preternaturally calm, quirkily rebellious titular protagonist who has renamed herself Lady Bird — seems awfully familiar. As the heart of Greta Gerwig’s adorkable coming-of-age-in-Sacramento writing/directing debut, her mannerisms, her slightly antiquated vernacular and social gestures, her entire mode of qualified suburban angst and dubiously offhand witticisms call to mind something or someone we seem to know.
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