There is another Deadpool movie in the world now.
It may have a new director — David Leitch, co-director of John Wick and director of Atomic Blonde (and, uh, Terry Bogard in the King of Fighters movie) — but the tone is exactly the same as the first one: an emulsion of an achingly sincere story about revenge and family suspended in a hyperviolent, nihilistic action-comedy.