Amid all its other signifiers, then and now, 1968 was about youth – its dangerous and liberatory possibilities. Two years earlier, Godard had cheekily announced the arrival of “the children of Marx and Coca-Cola,” but ’68 was their decidedly anarchic coming out party, from Nanterres to Columbia University to Mexico City to the Red Square.
With the 50th anniversary of May ’68 – and the famed “events” thereof – approaching, it was a good time to come across the vital documentary Henri Langlois: Phantom of the Cinematheque at my local library. Jacques Richard‘s seven-years-in-the-making account of the father of film preservation only briefly touches on those events, and has its eyes too fixed to the screen to contextualize them rigorously in the larger social upheaval of that year, but it’s scope feels right all the same.