Macon Blair doesn’t personally show up much in his writing/directing debut I Don’t Feel At Home In This World Anymore. — he has more screen time in The Florida Project, probably — but you can feel his jittery, cold-sweat presence throughout.
It may seem peculiar to go back and talk about a film two years after its release, especially one as forgotten as 2014’s As Above, So Below – so let me explain why anyone should care about the film first.
It’s a general rule in clowning – and I know with that phrase I’m already in danger of losing some of you, but stick with me – that you have to do something really cool and skilled before you can fail amusingly.