Saturday night marked the return of the annual A Day of Silents program at the Castro, one of the many events the San Francisco Silent Film Festival hosts outside of its weeklong extravaganza in the spring. I was only able to catch the evening double bill – missing out on the very silly-looking The Last Man on Earth, Henry King’s dark pastoral Tol’Able David, the Ivor Novello-starring The Rat, and, saddest of all, Reiniger’s Prince Achmed, one of the earliest entries in the Counter-Programming series — but it was, as usual, delightful.
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