Ivan Reitman’s Kindergarten Cop – the 1990 comedy in which a kid-hating Arnold Schwarzenegger goes undercover as a teacher in order to catch a drug dealer, but ends up learning a thing or two himself – is a touchstone for many childhoods.
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When Gaspar Noé released his excruciatingly boring porno cum arthouse provocation Love in 2015, a lot of ink was spilled about its central conceit: that the whole ponderous thing was shot in 3D, allowing Noé to figuratively spew bodily fluids in the audience’s face.